“His forms are classical, balanced, simple, full bodied and reflect his mastery of both the potter’s wheel and crystalline process.”

 

Described as a ‘Virtuoso of the potter’s wheel’ by Peter Timms, Art Critic for the Melbourne Age John Stroomer is a master potter who is internationally recognized for his work with Crystalline Glazes. His forms are classical, balanced, simple, full bodied and reflect his mastery of both the potter’s wheel and crystalline process.

“I have been making for almost 50 years, employing 23 potters during the 80s/90s supplying wheel thrown domestic stoneware to major retailers, direct selling companies and homeware stores Australia-wide.

The recession of 1981, a devastating factory fire in 1988 followed by the 1990 recession and subsequent fluctuating market forces eventually led to a change in personal philosophy/direction. They were all pivotal in leading me to where and who I am today.

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I have exhibited in over 100 shows and exhibitions in Australia, UK, USA, Germany, Austria the Netherlands and India, conducted multiple local and international workshops and my work is held in both permanent public and private collections in both Australia and overseas.

In 2014 I established a new studio/gallery at Moorooduc on the Mornington Peninsula.

After 49 years as a potter my skills and feel for form on the wheel continue to develop but more importantly the mind’s eye evolves and redefines my perception of perfect. I work with the clay rather than force it into submission, preferring slow conscious control and minimal turning.

The nuances of linear fullness, balance and proportion become more important with each body of work. Glazes and forms are constantly refined over time through never ending testing and evaluation with the occasional accidental discovery. Crystal quality and shape, the linear structures within and their total relationship to form constantly evolve as knowledge and skill accumulates.

When form and glaze come together a crystalline gem is realized and the search continues.”


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Castlemaine State Festival
La Trobe university Ceramic Award 2001

“… Sheer technical virtuosity. Crystalline glazes are difficult to control, especially over such a large area. The form is beautifully realised.”

Exhibition Judge, Peter Trimms
Curator/Writer - Art Reviewer, The Age, Melbourne